M (indicates name beginning with letter) was just thirteen when the late August winds carried a tropical/foreign heat to her town. [Already] the schoolless summer days had [long since)] turned from sweet to sickening, the unbridled hours warping and bleeding without the steady, measuring beat of the classroom bell...
Usually M stayed in bed until lunchtime and then passed the remainder of the day in a hazy stupefaction/willful numbness designed to keep all [form of] sensation, including the heat, out. On the last Saturday of the month, however, she was up at dawn, stirred awake by the familiar grumble of her father's car. It was barely six and the suffocating air that had melted in the night was already seeping its way back into the house. She leaned out of her window just in time to see the gray truck make a brisk left from her street and onto the main roadway.
By the time the sun reached its midday post, the morning's moisture had left the earth/ground and clung to the air so that, venturing out, a body didn't know whether to walk or swim. Neither choice appealed to M, who instead decided on utter stillness and sat sullenly loathing the soaking sensation from her spot on the back lawn beneath the mulberry tree. Her petulant expression was augmented by the dimpled adolescence that stubbornly lingered on her face/cheeks despite her having reached, as she was apt to call it, the fullness of her thirteen years. (quotes?)
space before her blurred by cloud of flies and dandelion fluff
R has nice hands except when he's talking about [ ]. Talking about [ ] he looks a little frightening. But he has nice hands like Father, separate from the rest of his body and still, so very still. But the rest of him is not like Father, or anyway my father. He is like his father, Mr. W who helps the criminals in H-- and walks on only the front half of his feet as if he relied on the wind and speaks in whispers except when he's defending the criminals. R's like that. Except for his hands, which are like Father's.
Separate fragment: Thomas hadn't eaten in five days. On the sixth day, the cold chicken he'd ventured to swallow for breakfast fell out of his stomach and onto the bathroom floor. He made a disgusted face but quickly mopped it up before the cat, Dr. Eversby, got the chance and then made himeself some tea. [Days seven and eight fared little better. When his mother came by on the eleventh day to borrow his gardening shears, she discovered him lying face down in the kitchen clutching a cup of vanilla yogurt, half the contents of which had been lapped up by Dr. Eversby. Thomas, along with the rest of the yogurt, had expired.] (doesn't die?)

3 comments:
I'm not going to squee, but I just want to say that I enjoy reading these fragments and they've pricked my curiosity for more.* I love the imagery and I think all the S words are interesting because they're giving the passages this hissing, steamy sort of quality.
As for your slashies, these are my opinions:
foreign (More dangerous sounding. Implies a change.)
long since instead of already (It has them stewing in this heat for awhile.)
willful numbness (Hazy stupefaction implies drugs. Is she using?)
earth (Has more descriptive connotations.)
face (If you use "cheeks" I would think "in" instead of "on.")
I don't know about Thomas and the chicken, or at least the part about it falling out. That implies a downward bowel movement. But I think he threw up, right? Maybe instead of "fell out" you used "rushed out"? "Rushed" doesn't have that downward (from the stomach) directional thing going on. But a small point to quibble over.
Best line, hands down: "Thomas, along with the rest of the yogurt, had expired."
*Understatement of the year!
P.S. SQUEEEEEEEEEEEEEEEE!!!!!!!!!!!
Okay, lessee. There's not enough here for me to go into it hook, line and sinker, but I'll do my best to say something critical. I hope you don't take my comments too seriously. I really kind of blow at criticism.
*In the opening sentence, saying "was just thirteen" in combination with "foreign" (if you go with that word) kind of makes it sound like there is something unusual happening with the winds/weather as opposed to the girl (and impending storm? a heat wave?).
*Also, did she just turn thirteen, or are you emphasizing her youth with the "just"?
*Love the second line; would go with "long since." "Warping and bleeding" great imagery to go with time, esp. in contrast to "steady, measuring beat.." Don't really like the "..." that ends the sentence. Is it just there b/c you're going to put something in later? If not, I don't think it's necessary.
*Prefer "willful numbness" definitely -- agree with C about the drugs...
*Really like the way the paragraph goes from general description of the area, to some general information about M, to a particular day, to a particular moment. The whole thing moves beautifully, in my opinion anyway.
*"...didn't know whether to walk or swim" and "Neither choice appealed.." Love it! (prefer "earth" to "ground" earlier)
*I hate to gush again.. but I really like this paragraph about the hands and the fathers. The description of the guy who walks on the front half of his feet gives the perfect amount of detail for me to get a pretty clear picture of the man, even though it all happened in less than a sentence.
*The separate fragment didn't work as well for me. It seemed to be in a such a different voice that I found it incongruous. But, of course, it's so hard to tell if it will fit in or not because there is currently no transition. Since I don't know anything about the character, the paragraph seemed very witty but did nothing for me apart from that. A little cheap, too clever by half, especially as opposed to the earlier writing which has humor in places but also seems very authentic. But then the Thomas fragment will probably change entirely in my mind once you've worked it in to the whole. I do love the line about the yogurt, and the dog's name is superb... but like I said... right now, it just seems a little too clever.
Thanks you guys for the feedback. Interestingly, all of the choices both of you made with the brackets/slashes were completely in line with my first instinct. I just get these second-guessing moments where I feel the need to insert other options. The ellipses aren't part of the story, they're a product of the storylink and I can't really do anything about them, it just came that way. And by separate fragment, I mean a separate story, nothing to do with the M piece. 'Thomas' really is a bit of fluff, jotted down on a whim, and I have no idea where I'm going with it. Need: justifiable reason for Thomas's fasting spree and a way for him not to become annoying. My problem is still plots that register some sort of a pulse.
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